...loading Flash movie.

 


HillBilly Deluxe (2005)

ORDER NOW!

 

 

 

 

 

 

Reviews

Page 1 2  Main

   
Wal-Mart.com
-Todd Sterling

On their ninth studio album, Kix Brooks and Ronnie Dunn fuel up the rocket engine in their jacked-up slick black Cadillac and take another run down the dirt road they were last spotted on. Hillbilly Deluxe finds the dynamic duo rocking the turbo-tonk nation via a raw production thick with rock and roll guitars, top notch songwriting, and Kix's and Ronnie's unmistakable vocal blend.

Hillbilly Deluxe is southern fried roots music at its best. The Stonesy "Play Something Country," the first single from the disc, primes listeners for a collection of country-rock that picks up where the duo's last album, Red Dirt Road, left off. Swelling organ, jangly acoustic guitars and heart-bleeding steel accentuate Dunn's stone-cold country vocal on "She's About As Lonely As I m Going To Let Her Get." Dunn, arguably the best singer in Nashville today, injects the song with an oceanic amount of whiskey-stained emotion.

Brooks, who has always been a better harmony singer than lead man, steps up to the mic on four of the album's 13 tracks and bangs out his best performances ever. Kix untangles his vocal chords for the Americana-brushed "My Heart's Not A Hotel." The energetic half of Brooks & Dunn takes the B&D Cadillac through Bruce Springsteen country. Brooks watches a friend gamble on love over and over again with a girl as fickle as lady luck herself, on the rawboned "One More Roll Of The Dice." "Her West Was Wilder" has the gravelly-throated singer/songwriter looking back on a flame that was extinguished long ago.

Pedal-to-the-floor honky tonk gems "She Likes To Get Out Of Town" (another track voiced by Brooks) and "Hillbilly Deluxe" burn like Mississippi blacktop on a hot August afternoon. No doubt Dunn will be stomping the heels of his silver-tipped cowboy boots on stages all across the country this summer as he sings the song. The half-spoken/half-sung "Whiskey Do My Talkin'" and the party track "Just Another Neon Night" are classic Brooks & Dunn. On the latter, Ronnie and Kix take the faithful to small town America where weekends are made for good times. Dunn is in fine voice on the gospel painted "Believe" and Radney Foster's brilliant "Again."

Hillbilly Deluxe is being touted as Brooks & Dunn's best album yet, and for those skeptics out there who think that's just a lot of record company hyperbole, think again. Kix and Ronnie outdo themselves this time out and set the bar that much higher for their next album.

  The Herald-Sun
-Alan Sculley

Kix Brooks says it gets harder to be Brooks & Dunn with every album. Although that may sound like some worn out comic cliché, that simple realization cuts to the core in explaining what drives Brooks and Ronnie Dunn to keep pushing on together when they've accomplished virtually everything a country act could hope to achieve. This is, after all, a duo that has sold 27 million records, reeled off some two-dozen hit singles and owns shelves full of country music awards, including multiple entertainer of the year honors. "When we get to the point that all that we have left is our hits and fairs and festivals to play in the summertime, we won't be doing this anymore," Brooks said. "We have no desire to rest on our laurels and play an oldies show or whatever. If we can't bring something new and exciting and challenge ourselves to do something that's special, then we're really, there's not going to be a Brooks & Dunn. That's what keeps us in the game. It's that challenge and the excitement and the competition of having to do something that's special and that's new and fresh." The realization that Brooks & Dunn needed to embrace the idea of tackling new creative challenges became especially clear after the duo's 1999 CD, "Tightrope."

Even before that CD, Dunn had lobbied to part ways with producer Don Cook and bring in a new producer and new musicians to bring fresh energy to the studio process. Brooks balked at the suggestion. He had started writing songs with Cook years before he and Dunn were brought together as a recording act in 1990 by former Arista Records President Tim Dubois. He was torn by his loyalty to Cook.

So the duo compromised. Brooks had Cook produce his tracks for "Tightrope," while Dunn worked with producer Byron Gallimore. The move didn't work. Critics felt the songs and performances on "Tightrope" were lackluster, and sales backed up that opinion. After seeing six previous albums routinely sell in the millions, "Tightrope" struggled to reach the 500,000 mark needed to be certified a gold album. The failure of "Tightrope" forced Brooks and Dunn to take a hard look at whether they even had a future as a duo, and if so, what artistic goals should they pursue. Facing those questions, Brooks said, strengthened their partnership.
"It did open a new level of honesty," he said. "There were very frank discussions. It's like either we're going to work together or let's not work together at all. Let's blow it off. If we're going to be a duo let's be one or let's go the solo route."

Recommitted to their partnership and their music, Brooks & Dunn teamed with a new producer, Mark Wright, to make "Steers & Stripes." The 2001 CD restored the duo's commercial momentum, yielding three number one singles -- "There Ain't Nothing 'Bout You," "Only In America" and "The Long Goodbye."

With "Steers & Stripes," Brooks & Dunn didn't reinvent their music so much as they refined and rejuvenated the mix of high-charged rock-edged country (think of hits like "Boot Scootin' Boogie" or "Hard Workin' Man") and full-bodied balladry that had been their signature from day one.

But the next CD, the 2003 release "Red Dirt Road," pushed the envelope further. Working again with Wright, the duo pursued a rootsier sound and also brought out a soul music influence that had never been fully featured in their music. It was the most refreshing CD in years for Brooks & Dunn and a record Brooks felt really represented a creative resurgence for the duo.

The new Brooks & Dunn CD, "Hillbilly Deluxe," continues to pursue the more stripped down and earthy sound of "Red Dirt Road" -- while still retaining the rocking attitude that has been the Brooks & Dunn signature from day one.

Fans apparently like what they're hearing. The punchy first single, "Play Something Country" -- a song Brooks said represents the fun-loving personality of the CD -- is charging up the charts. The duo is debuting a few songs from "Hillbilly Deluxe" on tour this summer, but Brooks said the set as a whole is structured to please long-time fans. "We've got a couple of songs off the new CD in and we're working up a couple of more," Brooks said, noting the bulk of the set is devoted to playing the duo's hits. "I know they [fans] are disappointed if we don't get a lot of hits in there. When I go to see somebody play, you know, I go to see, like Tom Petty the other night, I want to hear 'American Girl' and all of the songs I want to hear. I don't mind hearing a couple of new songs, but I think people really do come out to hear the hits, so we try not to beat them over the head with too much unfamiliar music."

Detroit Free Press
-Greg Crawford

Hillbilly Deluxe
 ***  out of 4
Country fans who think it's time for these guys to quietly cede their title as Nashville's premier duo to Big & Rich had better think again. Though they're both past 50 and though they've been making hits for nearly 15 years, Kix Brooks and Ronnie Dunn approach their latest album with the wild abandon of red-state frat boys on spring break in Pensacola. "Whiskey do my talkin'/ Say all the things I can't," a charged-up Dunn wails in the disc's early moments before calming down later for powerhouse vocal turns on the gospel "I Believe" and the R&B-tinged "Again."

Southern-rock guitars (and accompanying references to NASCAR, Lynyrd Skynyrd, black denim and honky-tonks) dominate -- but don't overwhelm -- the project.
Longtime fans will rank "She's About As Lonely As I'm Going to Let Her Get" with the best of B&D's no-nonsense country moments, while more discriminating listeners will be intrigued by Brooks' thoughtful songwriting on "Her West Was Wilder" and the Tom Petty-like "One More Roll of the Dice." As for rocking leadoff single "Play Something Country," let's just say it's not going to keep George Jones awake at night with worry, but it'll likely be bringing beer-buzzed bar crowds to their feet a decade from now.